From The Game to Floyd Mayweather, Lil Meech to His Own Son – A Pattern of Loyalty Given, Loyalty Betrayed
NEW YORK – November 17, 2025 – Curtis “50 Cent” Jackson has spent two decades lifting people out of the gutter and into the spotlight, only to watch them bite the hand that fed them. The pattern is almost poetic in its pain: he discovers talent, invests money, time, and reputation, and when the spotlight finally shines, they walk away—or worse, turn against him. In his own words on a recent podcast, “I was always the good guy. It’s always the other ones who switch up.”
It started with The Game. In 2004, 50 signed the Compton rapper to G-Unit, gave him three chart-topping tracks from his own multi-platinum album Get Rich or Die Tryin’ (“Hate It or Love It,” “How We Do,” “Westside Story”), and turned him into a household name. Sales soared past 5 million. Then came the betrayal: ego clashes, public disses, and a 2005 Hot 97 interview where Game declared the beef “dead” while simultaneously throwing shots. 50 kicked him out of G-Unit live on air. “I made him a star,” 50 later said. “He forgot who opened the door.”
Next, Floyd Mayweather. 50 bankrolled The Money Team’s early branding, flew private jets with Floyd, and helped build the TMT empire into a billion-dollar brand. When Floyd’s reading struggles became a punchline, 50 offered to help quietly. Floyd responded by mocking 50’s street credibility and siding with rivals during the 2012 beef. “I promoted him when nobody else would,” 50 shrugged. “Then he acted like he built himself.”
Then Lil Meech. While Big Meech was serving 30 years, 50 executive-produced BMF, put Demetrius Flenory Jr. through acting school, and turned him into television’s hottest new face. Season 3 averaged 7 million viewers. When Big Meech was released in 2024, photos surfaced of him celebrating with Rick Ross—50’s longtime nemesis—atince the 2009 “Officer Ricky” saga. 50’s response was instant: “I made your son a star while you were gone, and this is the thank you?” The BMF movie Ross teased with Tarantino’s name attached felt like the final twist of the knife.
Perhaps most personal: his firstborn son, Marquise. 50 gave him a privileged upbringing—private schools, six-figure trust fund, luxury everything. When 50 and Marquise’s mother Shaniqua clashed in court, Marquise, then 17, chose sides. Public disses followed, including Marquise posing with Supreme McGriff Jr.—son of the man who once put a $1 million hit on 50. “I gave him the world,” 50 said quietly in a 2022 interview. “He chose the streets over his father.”
The list is long, the pattern unmistakable. 50 discovers raw talent or potential, pours resources in, builds brands worth hundreds of millions—then watches them walk away the moment the checks clear. Critics call it control issues. Supporters call it the curse of the giver: the more you give, the more they feel entitled to take.
Yet 50 keeps building. Power universe: over $1 billion generated. G-Unit Film & Television: dozens of projects. His net worth sits north of $600 million, all self-made after nine bullets and bankruptcy. “I don’t need them,” he posted last week. “I just hate seeing loyalty die.”
From South Jamaica to billionaire boardrooms, 50 Cent remains the man who lifts others—only to watch them fly away the second they learn how.
