In the ever-evolving theater of professional basketball, moments of pure, unadulterated innovation are rare. A player’s creativity is often bounded by the rigid, yet sometimes ambiguous, lines of the rule book. But when a move surfaces that pushes those boundaries—a move that looks at first glance like a flagrant foul against the game’s core laws—it sparks a cultural firestorm. This is exactly what happened when 19-year-old phenomenon Ace Bailey unleashed a piece of offensive footwork so audacious, so complex, that it instantly broke the internet, leaving fans and analysts screaming one word: Travel.
The viral footage in question shows a breathtaking sequence of control, balance, and deception that appears to defy physics, or at least, the conventional interpretation of the gathering and traveling rules. The online debate raged: Is this genius, or simply an illegal maneuver missed by the officials? To find clarity, the discussion landed at the feet of former NBA champion and self-proclaimed “resident referee,” Richard Jefferson, on the Road Trippin’ Show. And his verdict was not only definitive but carried a chilling warning for every defensive player in the league.
The Verdict: 100% Legal, 100% Terrifying

Jefferson’s response was immediate and unequivocal: the move by Ace Bailey is “100% legal,” he declared. This isn’t just a casual dismissal of the armchair referees; it’s a ruling rooted in a deep, granular understanding of the nuances in basketball’s footwork regulations.
To understand why Bailey’s move is legal, one must dissect the mechanism of the “gather step” and the ensuing jump. In a standard drive, a player is allowed to take two steps after the gather. What Bailey executed, however, is an iteration so advanced it appears to combine multiple phases—a stutter, a one-legged jump, and a release—while staying within the letter of the law. The critical detail, as Jefferson points out, is rooted in the placement of the non-shooting foot: “As long as that other foot doesn’t come down… as long as that doesn’t come down again, yes, the shot is legal.”
The move’s legality hinges on precise, split-second body control, ensuring that the second foot does not touch the ground after the initial step and before the release of the ball. It is an Olympic-level display of coordination that turns the defender’s anticipation against them. It’s what Jefferson labels the “next iteration” of basketball footwork, a revolutionary step forward in offensive engineering. The moment the footwork starts to expand, as Jefferson noted, “it goes back to the LaMelo one-legged threes, the Steph doing some of all of this stuff,” signifying a monumental shift.
The Lineage of Controversy: From Manu’s Euro Step to Bailey’s Breakthrough
Basketball history is littered with moves that were initially perceived as illegal, only to become foundational parts of the modern game. Richard Jefferson and the panel immediately drew parallels, noting how this contemporary innovation echoes past controversies, specifically the arrival of the Euro Step.
“It now looks funky because the Euro step looked like a travel,” Jefferson reminisced.
The Euro Step, famously popularized and perfected by players like Manu Ginóbili, was a revelation in the early to mid-2000s. Its side-to-side, staggered footwork confused defenders and referees alike. It was so unconventional compared to the straight-line drives that preceded it that critics universally dubbed it a travel. It was only after a slow, painful process of adoption and clarification that the move was universally accepted as a legal, two-step progression. “The Euro was revolutionary in 2007,” Jefferson stated, providing a historical marker for a rule change that irrevocably altered the sport.
Bailey’s technique belongs to this same lineage—a revolutionary leap that utilizes the existing rules in an entirely new, imaginative way. It forces defenders to abandon their pre-programmed reactions and hesitation, often leading to them flying helplessly by the offensive player. It’s a move that incorporates the essence of the “del step,” which involves a momentary stop or slowdown to let the defender’s momentum carry them past, paired with a sudden, legal surge. The sheer “imagination” required to dream up and execute such a maneuver drew praise from Channing Frye, who admitted, “I would have never even thought to do anything like that.”
This imagination, however, is a double-edged sword: once seen, it is easily copied. And that, according to Jefferson, is the true reason for alarm.
The Ominous Prediction: “Defenders Are In TROUBLE”
The gravitas of Richard Jefferson’s assessment wasn’t just in confirming the move’s legality; it was in his dire prophecy about the future state of the game. The title of the segment, “NBA Defenders Are In TROUBLE,” is not hyperbole; it is a serious warning.
“You’re going to see the next generation of players be able to use these type of moves,” Jefferson cautioned. He emphasized that this revolutionary package belongs to a player who is only 19 years old. The implication is clear: if a teenager is already mastering this level of footwork, the offensive toolkit of future NBA players will be unlike anything we have ever seen.
The challenge for defenders is no longer just reading the ball-handler’s shoulder or anticipating a Euro Step. It’s anticipating a move that looks like a travel, but isn’t; a move that incorporates stutters, hops, and shifts that demand immediate, perfect body control to counteract. The move turns the defender’s commitment into a weakness. Every pump fake, every stutter, every unconventional gathering motion must now be treated as a potential preamble to a completely legal, uncontestable shot.
The defense, which has spent the last decade adapting to the explosive athleticism and long-range shooting that defined the Steph Curry era, must now pivot again. The focus will shift from simple physical containment to a more cerebral, risk-averse form of perimeter defense—a style that is inherently less disruptive. The combination of established legends like Curry pushing the three-point line, new masters like LaMelo Ball perfecting the one-legged pull-up, and now young pioneers like Ace Bailey redefining two-step mechanics means the offensive player holds more power than ever before.

As Jefferson summarizes, the game is on the cusp of an offensive explosion: “The game in five to seven years with that type of footwork is going to be freaking scary for a defender.”
This isn’t about disrespecting the defensive skills of current NBA stars; it’s about acknowledging the unrelenting tide of offensive evolution. Coaches will soon be scrambling to develop new defensive drills, new schemes, and new ways to close out on players who can manipulate time and space within the tight constraints of the travel rule. The sheer mechanical prowess, the balance, and the creative license of this new generation of players will force defenses into difficult choices, often resulting in wide-open lanes or uncontested shots.
The beauty of basketball, and indeed all competitive sports, lies in this constant, dramatic tension between offense and defense, between rule-bending and rule-following. When a player possesses the “wherewithal” and the creative license to exploit the gray areas of the rule book, the advantage shifts dramatically.
Ace Bailey’s viral moment is more than just a debate over a travel call. It is a seismic shift in the culture of basketball innovation. It serves as a flashpoint, highlighting the frightening potential of the next generation. Defenders, you have been warned: the future of offensive basketball is here, and it’s 100% legal and utterly unstoppable. The imagination of 19-year-old players is now the league’s biggest threat.